African
Journals Online
INSTITUTE OF AFRICAN STUDIES RESEARCH REVIEW
Volume 18, Number
2, 2002
ABSTRACTS
Akanization of the Hill Guan Arts
Kwame A. Labi
Abstract
The original inhabitants of
the Akuapem Hills were predominantly Guan. From the mid-eighteenth century,
they experienced fundamental political changes which marked a transition from
the rule of priest-chiefs to secular chiefs.
This new political order introduced new art forms and regalia. The cultural contact which took place in
Akuapem did not result in an even diffusion of elements of Akan art and
culture, but has been one of uneven and unbalanced adoption, modification and
even rejection of some new art and religious forms.
This article discusses the
process of introducing an Akan type political system and its accompanying art
in a group of Guan communities on the Akuapem Hills. Art and regalia in Akuapem portray the acceptance of new art
forms, yet preserving some Guan traditional art forms amidst major artistic
adoptions from the Akan. It therefore
analyses whether the Akanization process was partial or complete.
Nigeria’s Population
Policy and Future Fertility Decline
Chuks J. Mba
Abstract
The government of the
Federal Republic of Nigeria, Africa's most populous country, promulgated its
first explicit population policy in 1988, in response to the soaring population
growth rate that impedes developmental efforts. The policy document has stipulated a number of quantitative demographic
targets. Paramount among these is the
intention to reduce total fertility rate (TFR) to 4, raise the use of family
planning methods to 80 per cent, and
raise mean age at first marriage to 18 years, by the year 2000. However, a macrosimulation analysis of
changes in the proximate determinants of fertility as enshrined in the policy
document reveals that Nigeria's TFR will fall from about 6 to 2 instead of 4,
which is far beyond the government's expectations. It is, therefore, needful to revisit the demographic targets of
the population policy of Nigeria.
Key Words: Nigeria, Population
policy, macrosimulation, fertility, proximate determinants.
Incidence of Physical
Spouse Abuse in Nigeria: a Pilot Study
Godpower O. Okereke
Abstract
This exploratory study of
the incidence of physical spouse abuse in Nigeria reveals that women are the
primary victims. The study further reveals that early marriages, length of
marriage, number and ages of children, size of household, amount of household
income and the reluctance of the police to intervene in familial affairs affect
the incidence of spouse abuse in Nigeria. Based on these findings, the author
suggests that laws making all forms of domestic violence a crime be passed,
victims be encouraged to take legal actions against perpetrators, and that the
criminal justice system arrests, prosecutes, and punishes violators.
Preserving
Culture Through New Artistic Forms: the Case of Duro Ladipo’s Folkloric Theatre
Foluke Ogunleye
Abstract
This study has asserted that
art does not only exist for the mere titillation of the senses, but rather, it
performs a functional role, its main objective being to affect man. The popular
tradition of drama in West Africa by the traveling theatre troupes, and which
they are still dominating through the television and film media, is one of the
new permanent forms through which the mythical repertory is transfused with new
life and vigour and stored for posterity.
These forms also serve as propaganda machineries through which traditional
cultural practices are disseminated to the world at large. This study examines
some of Duro Ladipo’s folkloric plays and how they disseminate a message of
moral re-armament and cultural renaissance in 21st century Nigeria. The African
mythical repertories, which are important manifestations of the African
culture, have been used as source materials for these plays. Newer artistic
forms such as writing and television production have been used to bring the
myths alive and make them available to a wider audience. Relevant themes
presented in the plays include patriotism, the womanist ideal as extant in the
traditional African society, the African moralistic ideal revealed through the
presentation of religion as an indispensable part of the Yoruba existence, etc.
Duro Ladipo’s plays have sought to catch up with the dynamics of Nigerian life
and have attempted to establish the relevance of the mythical repertory to the
Nigerian condition.
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